Bibliothèque Nationale de France

The BnF is actively soliciting patrons and major donors for an equally exceptional acquisition: the 77 original plates of the comic La Bête est morte! La guerre mondiale chez les animaux by cartoonist Calvo. La Bête est morte! is a historical story written and published clandestinely during the Occupation, recounting the tragic events of the Second World War in the form of an animal fable. Military operations and political events are described in detail, as well as the Resistance inside and out, the daily lives of civilians and prison camps. In particular, La Bête est morte! is the first comic strip to evoke the fate of the Jews during the Second World War through the concentration and extermination camps. Exceptional for its historical dimension, La Bête est morte! is also remarkable for its graphic qualities. This masterpiece of the comic occupies an eminent place in the French history of the ninth art. Calvo's original plates are naturally destined to be preserved in the BnF's Rare Book Reserve, a department that has received two major donations of comics: from Albert Uderzo and his wife, and from François Schuiten and Benoît Peeters. The importance of these historic illustrations joining the public collections is beyond doubt. The purchase price has been set at €875,000. Our aim is to raise this sum through the mobilisation of companies, foundations, the general public and major donors.

Salle des Vélins - Richelieu The salle des Vélins , belonging to the Department of Maps and Plans of the National Library of France, kept the leather portfolios of the Anville fund and the most precious portulans of the department, houses a painted ceiling from the painted decorations of the former Hôtel Mazarin, reassembled by Roux -Spitz almost in the same place following a process identical to that adopted for Mazarin's bedroom. The Vélins ceiling is one of the works classified as historical monuments , and has not been restored as part of the recent restructuring operation. It was protected during the works by a plastic film. Painting by Simon Vouet The decoration of the ceiling is an integral part of the decorative program established by Mazarin for his palace between 1640 and 1650 in parallel with the realization of the Mazarin gallery. The central painting from 1646-1648 is attributed to the school of Simon Vouet . But the stylistic characteristics and the pictorial finesse of the central composition strongly suggest that it is by the master's own hand. Simon Vouet is one of the most important French painters of the 17th century . Painter to King Louis XIII, he helped make Paris one of the artistic capitals of Europe. Thanks to this restoration, we will be able to know if the painting is by the artist Simon Vouet. Decorative program The eight small format compositions (representing cherubs holding the cardinal's attributes and four allegorical figures) frame the three main compositions: In the center, Peace (cf. the olive branch that the female figure holds in her hand) is being crowned by Victory. Peace touches a Roman fasces (one of Mazarin's attributes) with his foot, while two cherubs ward off the harpies. This set symbolizes the victory of France (and therefore of the cardinal) over its enemies. On either side, two other compositions representing one Abundance (on the left), the other Public Felicity (on the right) further underline the good government of Cardinal Mazarin. Why now? After the completion of the work in the Hotel Tubeuf, in September 2022, damage was observed on this ceiling: loss of substance, cracks, opacifying alteration of the varnish evoking a degradation of the type chanci. A diagnosis was requested from the Mariotti workshop for the decorations and from Alix Laveau, restorer at the Mazarin gallery and the chief architect of historical monuments, Michel Trubert. Help us save this historical treasure by supporting this emergency restoration. For more information, contact Kara Lennon Casanova, head of development : kara.lennon-casanova@bnf.fr