Artonomics equips artists with tools to bridge creativity and business, fostering sustainable careers and economic empowerment.

Artonomics is a groundbreaking initiative founded by Halim A. Flowers to empower artists and creatives with the knowledge and tools to thrive in the business of art. Focused on bridging the gap between creativity and commerce, Artonomics provides education and resources to help artists understand the economic value of their work, manage intellectual property, and build sustainable careers.

Through workshops, mentorship programs, and partnerships with organizations, Artonomics equips participants with practical skills in monetization, branding, and financial literacy. The initiative champions the belief that art is not only a form of expression but also a driver of economic and social impact, fostering a generation of creatives who confidently claim their place in the global economy.

By redefining the intersection of art and business, Artonomics is transforming the way artists approach their craft, creating opportunities for economic empowerment, and ensuring the longevity of creative innovation.



Artonomics 

We host 300+ social impact projects across Europe 

Open Collective Europe promotes charitable initiatives within the European Union, with a focus on Education, Social Impact and Civic participation, and provides such initiatives with a simple and transparent way to manage their finances. Open Collective Europe's mission is to promote projects in the EU with the following charitable purposes: - increasing access to educational resources and training,  - creating a positive social impact and  - developing tools to improve civic participation within cities or communities. Future perspectives At the beginning of 2022, we shared our desire to grow the Open Collective Europe community. Our goal is to make the community more vibrant, supported and resilient. We set out to build a more comprehensive fiscal hosting service and support system for our collectives.  

Open Collective Europe

Promotes collaboration between French and American researchers to preserve and study Rosa Bonheur’s works.

Historical Background of the Organization

Les Amis du Château de Rosa Bonheur, was founded following the purchase of the Château de Rosa Bonheur, also known as the Château de By, by the Brault family in 2017. The château, located in Thomery, France, served as Bonheur’s residence for the last 40 years of her life, and its acquisition marked the beginning of a new era in the preservation of the artist’s heritage. Upon acquiring the property, the Brault family discovered thousands of archival documents in the château’s attic, many of which had been untouched for over a century. These documents included personal letters, sketches, financial records, and other invaluable materials that shed light on Bonheur’s life, work, and influence.

Recognizing the importance of these discoveries, the Brault family and the organization sought to create an environment where scholars, particularly from the United States, could engage in rigorous research on these newly unearthed documents. The historical link between Rosa Bonheur and the United States, where many of her works are held in private collections or sold through auction houses, further motivated the establishment of the AFCRB. The organization’s founders recognized the need to bridge the gap between French and American art scholarship, encouraging transatlantic collaboration to ensure a comprehensive understanding of Bonheur’s artistic contributions.

Mission and Objectives

The core mission of the Les Amis du Château de Rosa Bonheur is to preserve and promote the artistic legacy of Rosa Bonheur. As an organization, it seeks to raise awareness of Bonheur’s work, ensure her rightful place in art history, and foster greater public understanding of her contributions to the development of animal painting, realism, and the broader art community.

To achieve these goals, the Les Amis du Château de Rosa Bonheur focuses on four key objectives:

1. Restoration: The organization is committed to restoring both Rosa Bonheur’s works and her former home, the Château de Rosa Bonheur, as her workshop, her study room and what makes up its museum. This involves the meticulous conservation of her paintings, drawings, and sculptures, as well as the preservation of the château itself, which stands as a testament to her life and creative process. Restoration efforts ensure that future generations can experience Bonheur’s work in its original context and condition.

2. Acquisition: One of the central aims of the Les Amis du Château de Rosa Bonheur is to acquire as many of Bonheur’s works as possible, particularly those that have been sold by private collectors. Many of her pieces, including lesser-known works and studies, have appeared on the American art market in recent years. By acquiring these works, the Les Amis du Château de Rosa Bonheur ensures they are properly authenticated, studied, and ultimately made available to the public. This also helps enrich the archives at the Château de Rosa Bonheur, creating a comprehensive collection that can support future exhibitions and research.

3. Research: Research is a fundamental aspect of the Les Amis du Château de Rosa Bonheur’s mission. By hosting American research students and scholars at the château, the organization creates an environment conducive to academic exchange and the development of new perspectives on Bonheur’s work. The archival documents discovered in the château’s attic provide a wealth of material for scholars to explore, and the Les Amis du Château de Rosa Bonheur aims to facilitate and support this research by offering access to the château’s collections and resources. Additionally, the Les Amis du Château de Rosa Bonheur supports efforts to compile a complete catalogue raisonné of Bonheur’s works, a critical tool for scholars, curators, and collectors from all over the world. 

4. Rehabilitation: Rehabilitation, in the context of the Les Amis du Château de Rosa Bonheur’s mission, refers to the broader restoration and revitalization of Bonheur’s legacy. This involves not only physical restoration but also the intellectual and cultural rehabilitation of her place in art history. By promoting Bonheur’s work through conferences, exhibitions, scientific publications and public programs, the Les Amis du Château de Rosa Bonheur seeks to ensure that her contributions are fully recognized and appreciated by contemporary audiences.

Past and Present Activities

Since its establishment, Les Amis du Château de Rosa Bonheur, has been actively involved in a variety of projects aimed at fulfilling its mission. The organization has supported numerous research initiatives, allowing scholars to delve into the newly discovered archival materials at the château with the help of the French Heritage society. These documents have provided fresh insights into Bonheur’s life, including her relationships with contemporaries, her financial dealings, and her artistic process. This research has been instrumental in shaping the current understanding of Bonheur’s work and influence.

In addition to research, Les Amis du Château de Rosa Bonheur has organized several exhibitions showcasing Bonheur’s work. These exhibitions have traveled between France and the United States, further strengthening the cultural ties between the two countries and introducing new audiences to Bonheur’s art. The organization has also been involved in organizing conferences and masterclasses, bringing together art historians, curators, and students to discuss Bonheur’s legacy and explore new avenues of research.

Restoration efforts have been another key focus of the Les Amis du Château de Rosa Bonheur’s activities. The organization has overseen the restoration of several of Bonheur’s paintings, as well as the ongoing preservation of the Château de Rosa Bonheur. These efforts ensure that both the artist’s works and her living environment are preserved for future generations to study and appreciate.

Future Activities and Vision

Looking ahead, the Les Amis du Château de Rosa Bonheur has ambitious plans to continue expanding its activities and reach. One of the organization’s primary goals is to complete the catalogue raisonné of Rosa Bonheur’s works, which will serve as a definitive reference for scholars and collectors alike. This project will require extensive research, as well as the acquisition and authentication of additional works by Bonheur.

The Les Amis du Château de Rosa Bonheur also plans to expand its educational programming, with a particular focus on engaging younger audiences. This includes developing workshops and masterclasses for art students, as well as creating digital resources that make Bonheur’s work and legacy accessible to a global audience. The organization aims to leverage technology to create virtual exhibitions and online archives, allowing people from around the world to explore Bonheur’s art and the château’s collections.

Another important aspect of the Les Amis du Château de Rosa Bonheur’s future activities is the continued restoration of the Château de Rosa Bonheur. The organization is committed to preserving this historic site as a living museum, where visitors can experience the environment in which Bonheur lived and worked. In addition to physical restoration, the Les Amis du Château de Rosa Bonheur plans to expand the château’s public programming, offering educational workshops, and artist residencies.

Finally, the Les Amis du Château de Rosa Bonheur will continue to promote transatlantic collaboration by hosting American scholars and artists at the château. This exchange of ideas will help foster a deeper understanding of Bonheur’s work and contribute to the ongoing study of her artistic legacy. The organization also plans to strengthen its partnerships with museums, universities, and cultural institutions in both France and the United States, creating new opportunities for collaboration and engagement.

Establishment of “American Friends of the Château de Rosa Bonheur (AFCRB)”

The American Friends of the Château de Rosa Bonheur (AFCRB) is a vital organization dedicated to preserving, promoting, and expanding the legacy of the 19th-century artist Rosa Bonheur. Since its inception, the AFCRB has focused on fostering collaboration between American and French researchers to deepen the understanding of Bonheur’s work and ensure its continued appreciation on both sides of the Atlantic. The organization’s mission centers around four primary pillars: restoration, acquisition, research, and rehabilitation, all of which contribute to the broader goal of safeguarding the legacy of one of the most influential female artists of her time.

Conclusion

The American Friends of the Château de Rosa Bonheur plays a crucial role in preserving and promoting the legacy of Rosa Bonheur. Through its focus on restoration, acquisition, research, and rehabilitation, the organization is ensuring that Bonheur’s contributions to the art world are recognized and appreciated by future generations. As the AFCRB continues to expand its activities, it remains committed to fostering transatlantic collaboration and ensuring that Bonheur’s work is accessible to a global audience. By supporting research, exhibitions, and educational programs, the AFCRB is helping to secure Rosa Bonheur’s place in art history and ensure that her legacy endures for centuries to come.

The American Friends of the Château de Rosa Bonheur

We make the best new ideas in global architecture and design accessible to all, with a focus on ecological & social justice. 

The World Around is a global nonprofit platform with a clear but ambitious mission: to make the best new ideas in architecture accessible to all. The World Around’s critically acclaimed global public programs and events share the now, near and next of contemporary architecture and design culture with a focus on interdisciplinary, progressive, actionable ideas and climate justice. Our archive of commissioned films, talks and presentations sharing the work and ideas of the world’s best thinkers and makers are all freely accessible below and [on our YouTube channel.](http://www.youtube.com/theworldaround) 

[With our eyes on the biggest issue of our time, climate change, The World Around is proud to organize the Young Climate Prize award and mentorship program for talented designers under-25.](http://www.youngclimateprize.com/)

The World Around

To serve as the testimony of our gratefulness towards all the G.I.s who, at the risk of their lives, gave us our freedom back.

To create a truly unique space and experience. 
 
 Founded in 1994, the Remember Museum is one of the most interesting of its kind. It is housed in an old renovated barn and is comprised mainly of items abandoned by the American First Infantry Division soldiers who once enjoyed "R & R" at the Schmetz' s farm when Marcel was a young boy. The artifacts include personal items given by numerous WWII Veterans from various units. It is a museum with a human dimension, made great by its welcoming environment, its originality, its simplicity. The museum strives to serve as the testimony of our gratefulness towards all the G.I.s who, at the risk of their lives, gave us our freedom back. Because curators Marcel & Mathilde (M&M) are nearing retirement, the museum and its contents will be transferred to the King Baudouin Foundation and a board of directors will manage the future of this great endeavor, while keeping it warm and personal much like M&M themselves. Thank you for your donation!

Remember Museum 39-45 

Dhody Research Institute examines medical history to address health challenges and fosters curiosity through education.

The Dhody Research Institute (DRI) is a 501(c) 3 non-profit dedicated to scientific and museological research,  consultation, and education. Through partnerships with historic, scientific or medical institutions, DRI conducts  research with historical medical collections to improve  21st –century human health. The Institute also provides consultation to institutions and researchers who seek to create museums or exhibitions with a medical historical dimension or maintain their collections of anatomical/pathological anatomy. The DRI also engages in accessible science communication through various social media channels to promote STEM engagement, encourage careers in STEM fields, and engage in science dialog with our wide audience.



Dhody Research Institute

Leading the conversation on contemporary art since 1928, SculptureCenter presents exhibitions, commissions new work, and generates scholarship.

SculptureCenter

The Ben E. Clement Mineral Museum is based in Marion, KY and houses the one of the world's largest fluorite collections.

Ben E Clement Mineral Museum Inc

Creative Commons (CC) stewards a universally accessible infrastructure for open knowledge, culture, and collaboration. 

Creative Commons is the global nonprofit organization behind the CC licenses and public domain tools, enabling the free and open distribution of otherwise copyrighted work. We give every person and organization in the world a simple and standardized way to grant copyright permissions for images, music, research, journal articles, educational resources, and cultural artifacts; ensure proper attribution; and allow others to copy, distribute, and make use of those works.

We've come a long way since we first got started in 2001. When Creative Commons was  founded, the internet was a budding universe with high potential, and platforms widely used today like Wikipedia and Google were only just taking off. CC’s founders were keen to ensure that, as the internet continued to grow, safeguards to knowledge, culture, and creativity were firmly in place, and the Creative Commons license suite was born.

Now more than ever, CC recognizes the urgent need for these licenses in advancing Better Sharing, key to preserving our global commons. As we look toward the next 20 years, CC seeks to fearlessly advocate for Open Knowledge to address the many challenges our global community faces today from the Climate Crisis and educational inequalities to the spread of "fake news" and barriers in access to cultural heritage.

Creative Commons

The Owl Club unites enthusiasts to become connoisseurs of pre-modern art while building meaningful relationships in the art world


Join THE OWL CLUB!

Owl Club Member $250 (yearly membership begins when you join)

Owl Club Benefits:

• Monthly invitations to in person events exclusive to Owl Club members
  Our private events include special visits to private collections, exhibition tours with 
  curators, tutorials in galleries, conservation studios and auction houses 
• Private guided tours and special events at art fairs*
• Access to all Athena Art Foundation podcasts and special events


Owl Club Benefactor $350 (yearly membership begins when you join)

Owl Club Benefactor Benefits:
• Invitations to events exclusive to Owl Club members in galleries, artist studios, auction 
 houses, and private collections
• Priority reservation privileges for The Athena Foundation fund-raising benefits and host 
 committees
• Private guided tours to museum exhibitions and art fairs*
• Access to all Athena Art Foundation podcasts and special events
• Invitation to additional special events exclusive to Benefactors

*artfair tickets not included

Athena Art Foundation - The Owl Club

The Rijksmuseum is the national museum of the Netherlands. We tell the story of 800 years of Dutch history, from 1200 to now. 

**In everything we do we are vastly reliant on external donations and support. Much of the Rijksmuseum collection has been brought together thanks to individual gifts. All our activities, from exhibitions to research, are made possible thanks to your generous support. Whether your donation is large or small, every bit helps. So donate and support the Rijksmuseum!**

A museum of art and history with a representative survey of Dutch art and history since the Middle Ages, the Rijksmuseum has on display 8,000 objects of art and history, from their total collection of 1 million objects, among which are some masterpieces by Rembrandt, Frans Hals, and Johannes Vermeer. The museum also has a small Asian collection which is on display in the Asian pavilion.

The Rijksmuseum links individuals with art and history. Mission At the Rijksmuseum, art and history take on new meaning for a broad-based, contemporary national and international audience. As a national institute, the Rijksmuseum offers a representative overview of Dutch art and history from the Middle Ages onwards, and of major aspects of European and Asian art. The Rijksmuseum keeps, manages, conserves, restores, researches, prepares, collects, publishes, and presents artistic and historical objects, both on its own premises and elsewhere.

**Vision**
The Rijksmuseum links individuals with art and history.

**Mission**
At the Rijksmuseum, art and history take on new meaning for a broad-based, contemporary national and international audience.

As a national institute, the Rijksmuseum offers a representative overview of Dutch art and history from the Middle Ages onwards, and of major aspects of European and Asian art.

The Rijksmuseum keeps, manages, conserves, restores, researches, prepares, collects, publishes, and presents artistic and historical objects, both on its own premises and elsewhere.

Rijksmuseum 

MOWAA is a non-profit organization dedicated to the preservation, expansion, and celebration of West African arts and culture.

At the core of MOWAA’s vision is a commitment to inspiring the next generation of creatives in West Africa. By re-evaluating the concept of the museum in a 21st century African context, MOWAA seeks to ensure relevancy to contemporary artists, artisans and cultural professionals.

To do this, we provide exceptional infrastructureand programmes for the preservation, display, research, learning and exchange in arts and culture in a range of locations from our world-class facilities and campus in the heart of the historic district of Benin City, Nigeria.

MOWAA

The National Maritime Museum shows the strong connection between the maritime world and society as a whole, and more specifically the impact of this on the lives of many individuals. 

It is our mission to continuous promote, to inspire and to engage our visitors both physical and online with a deeper understanding of our maritime heritage. 

By engaging with us through the sponsoring opportunities, you are directly contributing to maintaining and expanding our maritime collection and heritage with unique exhbitions and in-depth educational programmes.

Join us in inspiring the world around us with maritime stories. Support from individuals, organisations and foundations allow our museum to maintain and expand one of the largest maritime collections in the world. 



National Maritime Museum Amsterdam

Museum, Inc. offers children and young adults an inspirational opportunity to discover electrical engineering with old and new telephones.

The museum fosters inspiration and enthusiasm for engineering and technology by leveraging America’s remarkable telephone history with educational programs based on modern day telecommunications. The museum’s telephone collection is the focal point of this effort, and in conjunction with a modern laboratory, serves to cultivate the entrepreneurial spirit which gave birth to the telephone and continues to drive today’s inventors and innovators.

The Telephone Museum

Our collections, exhibits, and programs teach about the people, events, and movements in Western New York, and their impact.

Experiencing history with you, by safekeeping, remembering, discovering, and sharing our stories; learning and exploring together; sparking emotional and social connections within our unique community.

The Buffalo History Museum

All donations go towards producing ambitious art and supporting the sustainability of artists. 

Black Cube is a nonprofit, experimental art museum that nurtures the self-sufficiency of artists and inspires people to discover and appreciate contemporary art beyond traditional white museum and gallery walls.

Black Cube

AFMM raises awareness among Americans and provides financial support, on a tax-deductible basis, for the Musée de Montmartre.

HistoryThe Musée de Montmartre is located in old houses on the Butte (hill of Montmartre). These residences, surrounded by gardens, housed the workshops and ateliers of numerous artists such as Auguste Renoir, Émile Bernard, Raoul Dufy, Charles Camoin, Suzanne Valadon and Maurice Utrillo. The permanent collection includes paintings, posters and drawings signed by Toulouse-Lautrec, Modigliani, Kupka, Steinlen, Valadon, and Utrillo. Together, the artworks recount the history of Montmartre, including the innovative studios at Bateau-Lavoir and 12 rue Cortot and the infamous animated cabarets of the Lapin Agile and the Moulin Rouge. The Museum includes an entire room dedicated to the French Cancan, while another features rare zinc plates of dreamlike scenes from shadow theatre such as Le Chat Noir, the first modern cabaret founded by Rodolphe Salis in 1881.  The collection was made possible by the History and Archeology Society “Le Vieux Montmartre,” which itself dates back to 1886.  The permanent collection presented will immerse you in the history of Montmartre and reveal its rich culture. The Musée de Montmartre was founded in 1960 and dates one of its buildings to the seventeenth century.  This building is the Bel Air House and is the oldest building in Montmartre.  During its heyday, 12 rue Cortot served as a residence and meeting place for many artists including Auguste Renoir, Suzanne Valadon and Émile Bernard, who held their studios here, as well as the fauve artists Emile Othon Friesz and Raoul Dufy.The Musée's attendees relive Montmartre's celebrated history through the eyes of Suzanne Valadon during the Musée's immersive media show. Attendees rediscover the atmosphere that dominated the winding streets of the Butte and the famous names that roamed them.  Valadon's humble origins, artistic training, contacts and success make her the perfect guide to introduce the visit and recount the history of Montmartre: she is an allegory of the Butte during its effervescence.  In July 2011, the Kléber-Rossillon Company took over the management of the Musée de Montmartre. It launched an ambitious program that expanded and restored the site. Exhibition space was doubled, the studio-apartment of the artists Suzanne Valadon and Maurice Utrillo was renovated, and the three gardens that inspired Renoir’s paintings were brought to their former glory.  Artists started to move to Montmartre in 1870 and the cafes and cabarets multiplied in the 1880’s. What quickly came to characterize Montmartre in the eyes of everyone was this effervescent bohemian spirit, a creative energy.  In 1912 Suzanne Valadon, Maurice Utrillo and André Utter settled into their atelier-apartment and left a symbolic trace at 12 Cortot. The spirit of the infernal trio has been restored: the frying pan can be found in its place, the mezzanine was rebuilt in the studio, and the walls of Utrillo’s bedroom still have their original panelling and barbed wire on the windows.  To give life to this reconstruction, the company Kléber Rossillon called upon the designer Hubert Le Gall, scenographer who has worked with renowned institutions (e.g., Musée d'Orsay, Musée de l'Orangerie, Jacquemart- André). Hubert Le Gall was able to recreate the atelier-apartment, faithful to the letters and writings of the time and as portrayed in historical photographs - an ode and celebration of the past.Three gardens dedicated to Auguste Renoir surround the Musée de Montmartre. They are named in memory of the impressionist painter who lived on-site between 1875 and 1877, where he painted several masterpieces including the famous le Bal du Moulin de la Galette (“The Moulin de la Galette Ball”), La Balancoire (“The Swing”), and Jardin de la rue Cortot (“Rue Cortot Garden”). The Renoir Gardens offer breathtaking views of the vineyard, the Clos Montmartre, and northern cityscape of Paris.  The Musée de Montmartre captures the excitement of a time at the turn of the century (the Fin de Siècle) in a neighborhood where artists, musicians, poets, and friends gathered and created.  This time gave birth to modern art, pushing against the boundaries of the time.  The Musée de Montmartre is rooted in history.  The American Friends of Musée de Montmartre celebrate this time and very special place.

American Friends of Musée de Montmartre

Support the development of contemporary art in Mexico  

Patronato de Arte Contemporáneo was established in 2000 by an independent group of professionals of the arts to support curatorial, editorial, educational and theoretical projects that contribute to the development of contemporary art in Mexico. We accomplish our mission through out the programs we design to satisfy the needs of the current context of visual arts in Mexico. Our goal is to benefit our countrys' cultural development in the most complete and extensive possible way. Our main programs are:  - The International Symposium on Contemporary Art Theory (SITAC), it's an international event that brings together leading participants in the practice, theory, and history of art to discuss specific themes. The symposium allows a broader diffusion of the artistic ideas among the public, the students, the artists, and related disciplines.  - PACs Grants: Since 2000, we have supported more than 370 projects through this Program. For each supported project, in addition to the economic grant, it involves entering a network of independent projects, and a legitimization before other foundations and / or artistic institutions. Receiving these grants allows many projects to assume their profession as artists and managers.  - Nodos Program: Its a series of activities designed to encourage the exchange between cultural production of the different regions of the country. The main objective of these initiatives is to facilitate a horizontal, plural and multidisciplinary discussion.  - Patrons Program: Our funds come from individual and corporate patrons. This program is designed to be a manifestation of what is our ideology in PAC: to demonstrate the cultural diversity that exists in Mexico, to offer a place of knowledge and at the same time artistic encounters. In the same way that we support artists, we want to accompany each patron to enrich the conversation and learn from each one.  

Patronato de Arte Contemporeaneo, A.C.

VAN GOGH'S DREAM 
 
 
	 IN PURSUIT OF A DREAM In 1987 Mr. Janssens, with the help of his friends, set up the Institut Van Gogh,

IN PURSUIT OF A DREAM In 1987 Mr. Janssens, with the help of his friends, set up the Institut Van Gogh, and also created the S.A. Ravoux– two organizations, each with its own specific purpose. The challenge was to marry "economics and culture" and "passion and reason" while maintaining the independence of each half of the equation. Economic credibility was guaranteed by the Ravoux S.A., and cultural legitimacy by the Institut Van Gogh. As well as organizing numerous cultural projects and helping to preserve the Auvers heritage, the main goal of the Institut Van Gogh is to bring about Vincent van Gogh's great wish, as expressed in his letter to Theo during his stay in the Auberge Ravoux in 1890: «  Some day or another I believe I will find a way to have my own exhibition in a café.  » 
	 THE WORLD'S SMALLEST MUSEUM The Institut Van Gogh has thus set its sights on the target of exhibiting 'some day or another' a Van Gogh painting of the Auvers period in the Ravoux Inn. With a mere 7 square metres (75 square feet) of exhibition space in the attic room number 5, the very room where the artist lived in 1890, this museum would be the smallest in the world – a real "room with a view." "Don't settle for easy options" Vincent van Gogh to Theo, 1874 But Vincent van Gogh's modest dream is now far more than a modest challenge, given the huge prices his paintings fetch on the art market today. Nevertheless the Institut Van Gogh believes that if it is supported by the lovers of Van Gogh's art worldwide, it will be possible to climb the last few steps to the top floor and make Van Gogh's dream a reality. 

Institut Van Gogh

Supporting collaborative artwork initiated by sculptor Prune Nourry to raise awareness and empower underrepresented communities. 

Catharsis Arts Foundation is a non-profit initiated by the sculptor Prune Nourry that supports collaborative artistic creation and enables art to have a long term, positive impact on the women, artists, artisans, and communities who contribute to and inspire the artwork’s creation.

The Foundation encourages the making of artworks with and by underrepresented communities, enabling them to tell their stories. The collective art installations then tour around the world to raise awareness before returning to their country of origin and funding their preservation, as well as educational and artistic programs for the local communities.

The foundation is inspired by Prune Nourry’s profound belief that art and sculpture can be a tool to recreate balance in a deeply unbalanced world. It will operate globally, with first programs being held in Africa in 2024.

Catharsis Arts Foundation

The Golisano Children's Museum of Naples (CMON) is a place where families play, learn and dream together.

CMON History
A 501(c)(3) not-for- profit charitable organization founded in 2002, we celebrate the natural curiosity of children by offering an educationally dynamic space that encourages exploration and discovery. This safe and wonderful place inspires children and families to have fun while learning together. According to the Association of Children’s Museums, “There is now a new mantra – Play Equals Learning!”

CMON Vision
The Golisano Children’s Museum of Naples believes it is a privilege to share life with a child, and is committed to nurturing bonds among families and generations. We celebrate the natural curiosity of children by offering an educational dynamic space that encourages exploration and discovery. This safe and wonderful place inspires children and families to have fun while learning together.

CMON Mission
“To provide an exciting, inspiring environment where children and their families play, learn, and dream together.”

C’mon is a two-story, 30,000 square foot cultural institution including permanent and temporary interactive exhibits and galleries, Backyardville, a Family Resource Library, exploration rooms, Garden Café, Museum Store, and space for staff, volunteers and ongoing operations. All facilities are designed to be fully accessible. The exhibits blend state-of-the-art technology with a replication of the natural world and human communities. Developed by experts in child psychology, this experimental play fosters creativity, curiosity, empathy and self-esteem.

Children's Museum of Naples

Under the structure of the Museum of South West Jutland in Denmark, the Jacob A. Riis Museum was established.

Under the structure of the Museum of South West Jutland in Denmark, the Jacob A. Riis Museum is a museum established in a neighboring structure.  This structure is in fact where Riis grew up before he left for America and became one of the most famous Americans at the end of the 19th century. He was a reporter in New York and showed the terrible conditions for the immigrants in the tenements. He is considered the 'father' of photo-journalism as he in the 1880s was the first to combine articles with photos. Later he was able to change legislation and improve living conditions for the poor. 

Jacob A. Riis Museum

The Childrens Museum in Oak Lawn is a nonprofit organization focused on arts, culture, or humanities. It is based in Oak Lawn, IL.

Our mission is to positively impact a child's potential in life through play-based education.  With a focus on the 0-3 age group, children with disabilities and children ages 4-8, our goals are focused to meet the needs of children and their families.

The Childrens Museum in Oak Lawn

Dedicated to supporting an open and dynamic Palestinian culture nationally and internationally 
 
 The Palestinian Museum is a S

The Palestinian Museum is a Swiss-registered non-governmental association with a branch in Palestine (currently undergoing official of registration). The Museum's Vision: A vibrant Palestinian culture Mission: The production and dissemination of emancipatory learning experiences about Palestine, its people and history through innovative programmes in Palestine and around the world. Values - Inclusivity: The Palestinian Museum builds partnerships and bolsters Palestinian communities wherever they are - Excellence: The Palestinian Museum produces verifiably accurate content - Creativity and Innovation: The Palestinian Museum presents novel tools and concepts as well as innovative content across all its platforms - Transparency: The Palestinian Museum is accountable to society and strives to maintain its trust - Independence: The Palestinian Museum is an independent institution with no political affiliations - Inspiration: The Palestinian Museum is a source of hope for a free Palestinian future Museum without Borders The Palestinian Museum was designed as a transnational institution, capable of overcoming geographical and political boundaries to reach Palestinians within historic Palestine and beyond. Its digital collections and online platforms, alongside its network of local and international partnerships, will allow for the sharing of skills, resources, programmes and exhibitions with individuals and institutions worldwide. The Palestinian Museum sits on a 40,000 square metre plot of land in Bizeit, 7 kilometres north of Ramallah and 25 kilometres north of Jerusalem. The building's structure merges with the cascading terraces unique to Palestine's hills and is surrounded by gardens that incarnate the agricultural and vegetational history of Palestine. The Museum is Palestine's first green building with a Gold LEED certificate from the U.S. Green Building Council. The building has received the 2019 Aga Khan Award for Architecture. The Palestinian Museum is designed as a transnational institution, overcoming boundaries to reach Palestinians within Palestine and beyond through its digital collections and online platforms, alongside its network of local and international partnerships.  The Museum's organizes annual and seasonal exhibitions, virtual reality exhibitions, permanent collection expansion and conservation, public and education programmes, knowledge-based programmes, digital and archiving projects, and capital and infrastructure projects. 

The Palestinian Museum Association 

To commemorate the victims of the Holocaust and celebrate the Jewish culture

To challenge the stereotypes and misconceptions typically associated with the Jewish past in Poland 
 
Home to the internationally acclaimed permanent photographic exhibitions,  Traces of Memory  and  An Unfinished Memory , the Museum also shows an exciting range of temporary exhibitions, both curated in-house and sourced from around the world. The Museum's Cultural and Education Programme is one of the most extensive in Poland, providing a range of services for both individual and group visitors, and the Media Resource Centre houses a growing archive of films on Jewish and Holocaust-related subjects. As well as engaging in primary research and publishing, the Museum also operates one of the largest Jewish bookshops in Poland, and the only kosher café in Kraków. 

Fundacja Galicia Jewish Heritage Institute

Help maintain the inheritance of the life and work of Vincent van Gogh.

Explore the world’s largest collection of works by Vincent van Gogh at the Van Gogh Museum in Amsterdam. 
 
Mission The Van Gogh Museum makes the life and work of Vincent van Gogh and the art of his time accessible to as many people as possible in order to enrich and inspire them.
 
Your support will help us to maintain the inheritance of the life and work of Vincent van Gogh. By donating through KBFUS you can make use of the tax benefits in the US. ​

Van Gogh Museum 

Our mission is to preserve the Port Royal Sound for the environmental, cultural and economic well-being of our area.


The Port Royal Sound—a tidal inlet of the Atlantic Ocean—is the body of water that defines the Lowcountry of South Carolina, from the beaches of Hilton Head to the salt marshes of Beaufort. The mission of the Port Royal Sound Foundation (PRSF) is to preserve the Port Royal Sound for the environmental, cultural, and economic well-being of our area. PRSF strives to be the leading authority and advocate for the Port Royal Sound, providing and supporting education, research, and conservation initiatives to preserve it. 
PRSF began in 2011 and opened the doors to its FREE Maritime Center museum in 2014. We center our exhibits, events and programs around ecology, art, culture, history, and recreation to ensure meaningful, well-rounded engagement with our community and the Sound. We believe that high-quality educational activities and outdoor experiences should be accessible for all, regardless of limiting circumstances. For this reason, much of what we offer is free or has minimal program fees, and our funding comes largely from generous donors and grants. 
The following is a description of programs that will be supported, in part, by your donation:

Education
•	Maritime Center: a FREE museum housing 50+ exhibits (including live animals, gardens, history, biology, art, and more) that require ongoing updates, care, and maintenance
•	Field Trips: hands-on learning experiences for all grade-levels; agendas and curricula support South Carolina teaching standards; 3,000+ students/year
•	Pluff Mudder Summer Camp: week-long junior naturalist activities and nature experiences for children 6-13 years old, including nature hikes, kayaking, fishing, crafts, microscope activities, games, and more
•	Adult Pluff Mudder Camp: naturalist-led program for adults new to the Lowcountry or who want to learn more about the land, water, and animals of the Port Royal Sound 
•	Junior Naturalist Program: preparing the next generation to love and protect our beautiful waters and be certified as a Junior Naturalist
•	Tuesday Talks/SoundVision Webinar Series: public lectures from local experts in ecology, art, culture, science, photography, fishing, birding, turtle watch, and more
•	Saturday Programs: naturalist-led educational programs for people of all ages, including nature hikes, fishing/crabbing, crafts, reptile meet & greets, and many more
•	Storytime: weekly opportunity for young children to watch the Sound come alive through the pages of a book, paired with a fun activity or animal encounter afterwards
•	STEAM Festival: annual event that showcases the innovation and excitement of STEAM (science, technology, engineering, art, and math); 800+ attendees each year

Research
•	Citizen Scientist Program: local community members and organizations assist in the collection and compilation of long-term, widespread water quality data in collaboration with USCB and Clemson Extension Adopt-A-Stream; 75+ volunteers sampling 19 sites across the county
•	State of the Sound Symposium: first annual research symposium in February 2022 that convened 11 area experts from SCDNR and USCB to present what knowledge currently exists about the ecology of the Sound and how future research can help us better understand and preserve it; select recordings can be found at https://www.youtube.com/playlist?list=PLAv_68a8MqnvXUf6ggGXXkefjMS4__E5E 
•	State of the Sound Report: a comprehensive report that collects and analyzes historical data about water quality and the health of the Sound; currently being written, will be made available to the public and scientists to inform future research

Conservation
•	Annual Recycled Art Contest: 100+ entrants from schools, families, and amateur and professional artists make art displays with litter or items that would be recycled; art is displayed in the Maritime Center and a jury decides winners in multiple categories 
•	Litter pickups: quarterly clean of highway around the Foundation; volunteers average approximately 100 pounds of trash each time; 1,500 bags of litter kept out of the Sound since 2014

While this list is not exhaustive, it gives you an idea of the breadth and depth of our commitment to the health of the Port Royal Sound and its inhabitants. Being a coastal community comes with a lot of perks, as well as a lot of responsibility. Preserving the healthy water and unique wildlife supported by the Sound goes hand-in-hand with preserving the scenery, seafood, art and recreation in which we take pride and that make our home so special. Caring for the Sound is about more than just protecting the environment- it’s about protecting our Lowcountry lifestyle, today and for generations to come.

Port Royal Sound Foundation

Memorial, Museum and research centre on Holocaust and Human Rights 


25,490 Jews and 353 Roma were deported from the Dossin barracks on 28 train transports to Auschwitz-Birkenau between 1942 and 1944. Few of them survived the ordeal. Today the old military base is a serene site of reflection and remembrance, a Memorial. In the museum, facing the former barracks, one can immerse oneself in the history of the Holocaust in Belgium. The museum provides testimonies not only of exclusion, discrimination and mass violence, but also of hope and resistance. Reflect on human rights violations, then and now. In the research centre one can find more about the role of the Dossin barracks during the Second World War or about the experiences of a loved one or family member. 

Kazerne Dossin

Collections of Greek art from various time periods.

Displays on Greek culture from prehistory and onward. 
 
The Benaki Museum is a network of seven sites across Athens city centre and mainland . Throughout its galleries, different cultures and historical periods meet modern art moves, while rich historical archives bring past wisdom into our contemporary world. Its varied and rare Collection is surrounded by an impressive array of cultural activities. Numerous temporary exhibitions, publications, conferences, concerts and educational programmes make the Benaki Museum a multifarious art institution of the 21st century. As one of Greece's leading museum institutions under private law, the Benaki Museum aims at inspiring people to reach for kn owledge and reflect on cultural heritage, through its extensive collections that cover several cultural fields and its range of activities serving more than one social interest. Its key objectives are: 
 Openness, Democratization of Collections, Flexibility: to provide open access to collections and archives  
 Social Awareness, Social Presence: to be an active member of the community in which it operates for the benefit of the public  
 Research & Collaboration: to establish itself into the wider scientific community on all fields of its interest 
 National & International Presence: to promote the exchange of exhibitions and publications  
 Self-sufficiency, Sustainability, Resilience: to support its financial and organizational operation, thus ensuring its evolution for generations to come. 

Benaki Museum 

Help Dutch museums collect the most amazing works of art for everyone to enjoy! 

The Vereniging Rembrandt (Rembrandt Association) is an independent membership-based organization that supports art acquisitions for Dutch museum collections great and small, and with large and small gifts, too. It was founded in 1883 by a small number of art lovers who wanted to help save important works of art for the Netherlands. Today, the Vereniging Rembrandt has over 17.500 members, both domestic and abroad, and has helped acquire well-over two thousand works of art for over 125 museums. Among these acquisitions are true icons of art, such as Johannes Vermeer's "Milkmaid" in the Rijksmuseum, Rembrandt's Self-portrait  in the Mauritshuis, and Henri Matisse's perhaps finest paper cut-out: "La perruche et la sirène" in Stedelijk Museum Amsterdam. 

"If I were rich, I would have been an art patron. By being a member of the Vereniging Rembrandt, I feel like I kind of am." - Anonymous (member survey, 2017)  
 
 ​

Vereniging Rembrandt

Nuwaves // Future is an arts education nonprofit.

Nuwaves // Future stewards the #artbots network.

Learn more at [https://future.nuwaves.xyz](https://nuwav.es/future)

Nuwaves // Future

La Fondation Maeght houses one of the largest collections of modern art in Europe, featuring works by leading 20th century artists

An exceptional place for modern art on the French Riviera.

La Fondation Maeght is France's first art foundation, opened in 1964 in St Paul de Vence in the French Riviera, with one of the most important collections of modern art, with works by Miró, Giacometti, Chagall, Calder and Hepworth as well as temporary exhibitions.

La Fondation Maeght opened thanks to the singular destiny of Aimé and Marguerite Maeght, Europe's leading art publishers and dealers in the post-war era. Since its inception and to this date, La Foundation has organized more than 140 exhibitions of modern and contemporary artists and providing access to art to visitors and scholars alike.

As France's very first independent art institution, La Fondation was modelled on American institutions such as the Solomon R. Guggenheim Foundation, the Barnes Collection and the Phillips Collection in the US.

As a non-profit, La Fondation does not receive regular public funding from the French government. This means that the support of individuals and companies is essential for its survival, and for the continuation of its mission to promote arts and culture in the decades to come.

Your support, no matter the value, is hugely appreciated and there are many ways you can get involved.

Visit our website for more:  https://www.fondation-maeght.com/  or contact international@fondation-maeght.com

Fondation Marguerite et Aime Maeght 

The Staatliche Kunstsammlungen Dresden (Dresden State Art Collections – SKD) belong to the most renowned and oldest museum institutions in the world. A total of 15 museums offer a thematic diversity that is exceptional for its kind.  

History:The museums originated in the collections of the Saxon electors, several of whom were also kings of Poland. Historical sources show that August I, Elector of Saxony, founded the electoral Kunstkammer (literally "art chamber") in the Residenzschloss Dresden (Dresden Royal Palace) in 1560. August the Strong and his son, August III, King of Poland, were important patrons and remarkable connoisseurs. They developed their art collections in a systematic fashion; in the process, they not only provided a foundation of extraordinary masterpieces for the SKD, but also made these works accessible to select circles in their own time. To the present day, the organisers of the collections consider it their duty to preserve tradition while developing their visions and helping to shape the future.  Today, the SKD consist of the following museums: the Grünes Gewölbe (Green Vault), the Kupferstich-Kabinett (Collection of Prints, Drawings and Photographs), the Münzkabinett (Coin Cabinet), the Rüstkammer (Armoury), the Staatliche Ethnographische Sammlungen Sachsen (State Ethnographical Collections) with locations in Dresden, Leipzig and Herrnhut, the Porzellansammlung (Porcelain Collection), the Mathematisch-Physikalischer Salon (Royal Cabinet of Mathematical and Physical Instruments), the Gemäldegalerie Alte Meister (Old Masters Picture Gallery), the Skulpturensammlung (Sculpture Collection), the Galerie Neue Meister (Modern Masters Gallery), the Museum für Sächsische Volkskunst mit Puppentheatersammlung (Museum of Saxon Folk Art with Puppet Theatre Collection) as well as the Kunstgewerbemuseum (Museum of Decorative Arts). Moreover, the Kunstbibliothek (Art Library), the Kunstfonds (Art Fund) and the Gerhard Richter Archiv (Gerhard Richter Archive) are parts of the museum institution as well as the Saxon State Office for Museum Affairs and since December 2016 the Archive of the 20th-century Avantgarde. The Organisation: The association of 15 museums (SKD) is directly subordinate to the Sächsisches Staatsministerium für Wissenschaft und Kunst (Saxon State Ministry for Higher Education, Research and the Arts – SMWK) and has been operating as a state-owned enterprise since January 1, 2009.

Staatliche Kunstsammlungen Dresden 

The CTHGC commemorates the victims and survivors of the Nazi regime and various genocides preceding and following the Holocaust.


The **Cape Town Holocaust & Genocide Centre** is a Non-Governmental Organization dedicated to fostering a more **compassionate** and **just** society where human rights and diversity are esteemed.

Through impactful exhibitions, events, and workshops, the Centre **commemorates** the victims and survivors of the Nazi regime and various genocides preceding and following the Holocaust.

Established in 1999, it was the **first** **Holocaust Centre in Africa**, driven by the steadfast commitment to provide **free Holocaust and genocide education**. A primary objective from the outset was to extend this educational outreach to underprivileged communities locally and nationally and to individuals who might not have the financial means to visit.

The **impact and success** of the Centre’s programmes with schools and civil society was an important factor leading to the **inclusion of Holocaust studies in the curriculum of all South African schools**, making the study of the Holocaust mandatory for the students in grade 9 (14-15 years old).

Today, the Centre takes an additional step by **subsidizing** **transportation for disadvantaged groups**, eliminating financial barriers that might otherwise impede access to valuable educational experiences. Demonstrating a dedication to comprehensive support, the Centre also extends its commitment by offering complimentary meals and educational materials to groups of learners originating from the most underprivileged and economically challenged areas of the country.

Through these initiatives, the Centre annually reaches thousands of high school learners and hundreds of teachers, fostering a broader and more inclusive understanding of history and human rights. At the same time the Centre provides a wide range of programming for members of the **local Jewish community, citizens of Cape Town and international visitors**.

Collaborating with external experts, the Centre curates exhibitions and runs programs on other acts of mass violence, such as the Armenian Genocide, *Holodomor*, Rwandan Genocide, and more, emphasizing the **global impact of hatred** and the imperative of preventing history from repeating itself.

In addition to historical exhibitions, the Centre employs the power of art for **expression and healing.** Collaborations with artists from around the world present diverse mediums that offer fresh perspectives on human suffering, resilience, and the triumph of the human spirit.

The exhibitions and the accompanying programs serve as a **testament to the enduring power of memory and education**. By confronting the darkness of the past, the Centre aims to inspire a renewed commitment to humanity, understanding, and peace, in the hope that the lessons learned from history lead to a **brighter and more inclusive future**.

Cape Town Holocaust & Genocide Centre

Springfield Community Center Inc is a nonprofit organization focused on arts, culture, or humanities. It is based in Union Point, GA. It received its nonprofit status in 2016.

In 1825, when Taliaferro County was formed, our ancestors were here as enslaved people on the Plantations in Georgia Militia District 606, later called Springfield Community. 
After emancipation, our great-great-grandfather, his siblings, cousins, and friends drove seventy miles to Augusta University, later to become Morehouse College, pursuing an education. 
In 1935 the Springfield School board purchased land, secured the plan for a Rosenwald design, and began to build the log cabin school, which opened as a school for Black children and operated as such from 1937 through 1955. 
From 1955 until 1965, it served as a meeting place for the Masons, Odd-Fellows, and other Black organizations in the Community. 
In 1965 a community member, Springfield School graduate, and educator solicited others and trained under the Southern Christian Leadership Conference (SCLC) Citizen Education Program to prepare Taliaferro County Black citizens to register to vote. They were joined by Summer Community Organization and Political Education (SCOPE) volunteers. 
Mr. Turner and five other educators involved in this activity lost their contracts with the school. Not renewing the contract upset the student, and a protest began. The Springfield School became headquarters for this effort. As the boycott continued, the school building became a Freedom School. 
As the Civil Rights protest ended, Mr. Turner partnered with Randolph Blackwell and others to form Crawfordville Enterprise to create jobs. The textile mill and silk-screening plant would be in the old school building. SCLC secured a larger facility as the textile mill grew, and the old school was used as a Head start and Day Care for the plant workers. 
Taliaferro County (Georgia) has a majority Black population, with the school system being 90 percent black. The county's historical markers and statues honor Alexander H. Stephens, Vice President of the Confederacy. Springfield Community wants to change the biased perception by teaching our history, which is America's History. 
The historical listing, restoration, and preservation of the Springfield Log Cabin School and its development as a community center will impact the larger community by enhancing the tourism industry in Taliaferro County. The School will be marketed as the only log cabin/Rosenwald design school in the county, as a repository of African American history and culture, education, and as a symbol of self-reliance. It is the only Civil Rights Era Freedom School in Georgia. It is anticipated that the interpretative portion of the center will provide an opportunity for students of the county to understand better African American life, educational commitment, and the civil rights struggle. 
The Board of Trustees of the Springfield Community Center, Inc's greatest asset is its commitment to completing this project. This commitment is rooted in the fact that the members were born in the Springfield Community and are descendants of the original trustees or original landowners. They are property owners in the Community, and some attended elementary School at the log cabin school or the Freedom School.
The group has partnered with the County Commissioner, Taliaferro School System, Taliaferro County Historical Society, The Purification Heritage Center, Landmark Preservation, Ethos Preservation, AIA, Attorney John M. Clark, of Clark and Clark, the University of Georgia, and several churches in the county 
The complete restoration project will cost approximately a million dollars and divided into phases. 
Phase l
Structural Stabilization and repair (piers, framing, etc.)
Building envelops restoration (log cladding, roofing, flashing, temporary window and door protection, etc.)
Phase II
Window restoration
Exterior door restoration 
Removals of non-historic and non-contributing interior materials
Interior-framing and MEP rough-in
Phase III
Interior door and window restoration 
Interior wall and ceiling cladding restoration
Interior floor restoration 
Interior finishes 
MEP trim-out
Landscaping and hardscaping
Phase 1 of the overall rehabilitation of the Springfield Log School consists of two main components. First, enhancements need to be made to stabilize the building structurally. Secondly, efforts should be made to restore exterior features to cease further deterioration and prevent water intrusion by remedying exterior deficiencies. Structural repairs would include the in-kind repair of brick piers, wood framing, and log cladding. Significant jacking to alleviate deflection will need to occur. As the log cladding serves as the building's siding, by repairing or selectively replacing the significantly deteriorated logs in-kind, the exterior cladding would shed water. Furthermore, in-kind repairs to eave brackets, rafter tails, roofing, and flashing will help ensure that degradation due to water intrusion is ceased. This is a critical step in protecting this unique building from further loss of historic fabric.

 SPRINGFIELD COMMUNITY CENTER INC.RECEIVES 

$25,000 FROM NATIONAL TRUST FOR HISTORIC PRESERVATION TO HELP TELL THE FULL AMERICAN STORY
 $2.5 MILLION FUNDED BY THE NATIONAL ENDOWMENT FOR THE HUMANITIES THROUGH THE AMERICAN RESCUE PLAN
  
FOR IMMEDIATE RELEASE					CONTACT: Terry V Howard]
CONTACT: [706 347 2753]
 
(Union Point, Georgia ) – At a news conference today, the National Trust for Historic Preservation’s Telling the Full History Preservation Fund announced its award of $25,000 to [Springfield Community Center, Inc.].  The grant is one of 80 given to select organizations nationwide with projects that helped preserve, interpret, and activate historic places to tell the stories of underrepresented groups in our nation.  
[The funds will allow us to conduct a structural assessment of the Log Cabin
[We are grateful to the National Endowment for the Humanities, the American Rescue Plan, and the National Trust for this grant allowing us to move our project forward. 
The grant was made possible through a one-time $2.5 million grant program funded by the National Endowment for the Humanities (NEH) under the American Rescue Plan (ARP) Act of 2021. 

Dear Terry,
Once again, congratulations on being awarded $10,000.00 for your Springfield Community Center ARP Subaward project, as part of the American Rescue Plan Act of 2021.


Springfield Community Center Inc

The BnF's mission is to collect, catalogue, preserve, enrich and communicate the national documentary heritage in France.

Join us to restore, preserve and make available to all our universal heritage  
 
The Bibliothèque nationale de France  (BnF) is France's oldest cultural organization, originating in 1368 as the Royal Library of Charles V. It has grown over the ensuing 650 years into one of the world's largest, most prestigious, and most digitally accessible libraries.  The BnF is a leading custodian of a world heritage. Its encyclopedic collections are unique: all disciplines, whether intellectual, artistic or scientific, are represented in a comprehensive way. 

The BnF preserves over 44 million documents. In addition, the BnF's digital library, Gallica, provides free access to 10 million documents, for people from around the world to use for reading and learning. The BnF strives to provide educational, cultural and social enrichment to all.   

Projects to support 
There is a wide variety of projects to support at the BnF: digitization, acquisition, research activities, scholarships, etc. 
We selected 2 specific projects you may be interested to support:   

- The Breviary of Charles V acquisition 
- Emergency restoration - salle des Vélins 
   
Please, click on the dedicated tabs below to find more information about them. If you wish to find another project to support, feel free to contact us. 

Bibliothèque Nationale de France

Support the international network of curators of Flemish and Dutch art in museums worldwide.

CODART is the network organization for curators of art from the Low Countries. It brings together hundreds of people responsible for Flemish and Dutch art collections in museums worldwide within a single organization. CODART supports their work by maintaining the website www.codart.nl, composing the online publication CODARTfeatures and organizing the annual congress, focus events and study trips. Go to www.codart.nl/friends for more information and support CODART as Donor, Patron, Patron for Life, or Business Sponsor.

CODART - Network for Curators of Dutch and Flemish Art 

The Sursock Museum is the first modern and contemporary art institution in Lebanon.


HISTORY
The Nicolas Ibrahim Sursock Museum is the first modern and contemporary art museum in the Arab world. It opened officially its doors in 1961 thanks to a bequest of Nicolas Ibrahim Sursock, a philanthropist and a collector, who donated to the Lebanese citizens his Ottoman-Venetian style villa, built in 1912, and art collection. The Museum survived the turmoil in Beirut and has been open to the public for the last six decades with few interruptions.
Throughout its history, it lived through many tribulations. The various armed conflicts and tensions in Lebanon left quite a few scars. Healing has been long and arduous. 

Today, we are grateful for being able to celebrate the recovery of our cherished institution.
Soon after the Beirut blast on August 4, 2020, we started the rehabilitation of the museum, without the assurance that we would secure all the necessary funds. 
The solidarity of volunteers, local and international institutions as well as individual friends, enabled us to reopen in May 2023.
We are so pleased to give the Sursock Museum back to the Lebanese and to the
international friends of Lebanon. 
Increasing numbers of visitors and participants in our diverse activities are a source of energy and renewed dynamism.  
During the different phases of its history, it strived to be faithful to its calling: an inclusive space of encounter, education, innovation and cooperation. More concentrated efforts are ahead of us. 

The museum's new programming wants to engage with a diverse and wider public today. With its exhibition spaces, public library, auditorium, the Sursock Museum will continue to be a safe space for cultural dialogue, critical thinking and free expression. It is a platform for continuous learning, formative of future generations of art and cultural professionals, and we will continue to do so without compromising on quality, in dialogue at eye-level with international institutions.

GOVERNANCE
Following the will of Nicolas Ibrahim Sursock, the Nicolas Ibrahim Sursock Museum with its building and art collection, was constituted in the form of a Waqf on 14 January 1953.
(The Waqf is not too dissimilar to the western legal form of Trust or Foundation). The role of custodian of the Waqf, the mutawali, was assigned to the president of the municipality of Beirut, regardless of which political regime exists at the time.


OUR CHALLENGES
Before the crisis, the museum's activities were mostly financed by a tax on building permits levied by the Beirut Municipality. It now covers less than 2 per cent of our expenses. 

This is our new challenge: financing this vital institution to survive amid complete financial collapse. With our board of trustees, our circle of friends and future supporters, will do so while still offering free access to art.

We cannot overstate the significance of your engagement with the Sursock Museum. Your support is vital. 
Today, supporting the museum is not an act of charity, it is an act of necessity!
Your support is vital. 

Nicolas Ibrahim Sursock Museum

Parcs et Demeures de France.


Preserving unique treasures of French heritage as well as their natural environment.

The Mansart Foundation aims to revive heritage of outstanding interest, whether historical or contemporary: natural and landscaped sites (parks, botanical gardens), architectural buildings (monuments, residences, industrial establishments), collections and museums.

These places are our heritage and have shaped our art of living, the French Art de vivre. These sites all deserve to be preserved in a sustainable way to be passed on to future generations. This is the purpose of the Mansart Foundation. 

The Foundation focuses on a strong social mission. It aims to open its doors to less privileged visitors and enable them to discover and appreciate legacy buildings, art history and natural environments, thereby helping them develop both their understanding, curiosity, and creativity. 

The Mansart Foundation supports a variety of projects within different sheltered foundations. 

Already owner of the  Chateau de Maintenon , the Foundation is also restoring the  Chateau de Bagatelle to open it to the public. This chateau - listed as a historical monument since 1978 - is exceptional, both for its own history and the one of its owners, and for its location in the heart of Paris and its great architectural quality. 

Under the aegis of the Mansart Foundation, the  Amici Terrae Sanctae Foundation  was created to support the Terra Sancta Museum project in Jerusalem. This museum will present the roots of Christianity and the Treasures of the Holy Sepulchre, composed of unique pieces. Through a rare collection of paintings, sculptures, archival documents and sumptuous gifts from European courts, the works revealed will attest to the centrality and splendor of Jerusalem throughout the centuries. 

To sustain the actions in favor of  Parisian museums , the Mansart Foundation associated with the Friends of the Pompidou Center and the Friends of the Museum of Modern Art in Paris to create under its aegis respectively the Foundation of the Friends of the Pompidou Center and the Foundation of the Friends of the MAM Paris. By donating to these foundations, you will support exceptional cultural projects and contribute to the development of the collections of these museums. 

To safeguard heritage and bring it back to life, while acting in favor of local development and regional planning, the Mansart Foundation provides support to  the Rempart construction sites  through the creation of the Union Rempart sheltered Foundation. These workcamps are not only places to discover heritage and restoration techniques, but also places to learn how to live together and to exercise citizenship.  

The Mansart Foundation is involved in the promotion and animation of the Vauban Citadel in Belle-Ile-en-Mer, a listed historic monument, and the  Vauban sites of Belle-Ile-en-Mer and Morbihan . For this purpose, the sheltered foundation of the Vauban sites of Belle-Ile-en-Mer and Morbihan was created under the aegis of the Mansart Foundation.  

The sheltered foundation for the Preservation of the  Abbaye des Vaux de Cernay and the Haute Vallée de Chevreuse  was created to support the project to restore and develop the remarkable heritage of the former Vaux de Cernay Abbey. The Vaux de Cernay Abbey, a 12th century Cistercian abbey, is a unique, fascinating, and mysterious place located in the heart of the Chevreuse Valley in the state forest of Rambouillet. 

The  Hortus Botanica Foundation  was created to develop an action in favor of gardens and botanical heritage. Its purpose is to help preserve, restore, create, animate, develop, and share to the public the plant heritage, the heritage built or unbuilt, and the gardens existing or to be created, in connection with it. It participates in the cultural dynamization of the living and historical heritage in order to perpetuate extraordinary places. 

Fondation Mansart

The LRE Foundation is an international network dedicated to the cultural heritage related to World War II, its memory and meaning.

The LRE Foundation is a growing international, inclusive network that connects people and organisations dedicated to preserving and valorising the tangible and intangible cultural heritage related to World War II, its memory and meaning. The organisation’s main objective is to make this history relevant and accessible, especially for the younger generations. 

The LRE Foundation promotes diversity by developing a multi-perspective understanding of the history of World War II. As each country had a different wartime experience, it is our goal to present each perspective in relation to each other.

Its main projects are :

- Liberation Route Europe 

A certified Cultural Route of the Council of Europe that connects people, places, and events to mark Europe’s liberation from occupation during World War II. 

In order to make the route a physical part of the European landscape, LREF is developing a network of Liberation Route Europe trails that allows new ways of experience the route by hiking, walking, and cycling.

Renowned architect Daniel Libeskind has designed a symbolic family of trail markers called the ‘Vectors of Memory’ that will honour people, places, and stories found throughout the European landscape. 

www.liberationroute.com

- Europe Remembers

Europe Remembers is an awareness and information platform that brings together commemorative sites and events in a collaborative, inspirational remembrance portal. Europe Remembers seeks to create a global commitment to preserve history and eyewitness memories for future generations, and call for an active participation.

It enables diverse communities to reflect on the complex heritage of World War II from multiple historical perspectives. The aim is to teach, to share experiences, and to encourage mutual understanding of our shared past. With fewer eyewitnesses each passing year, Europe Remembers seeks actively to promote new ways of commemorating and remembering World War II for the future.

- Youth Programme

The LRE Foundation is committed to promoting innovative active remembrance and memory transmission projects targeting the younger generations through the LRE Youth Programme. An essential feature of these initiatives is the inclusion and sharing of diverse experiences, applying a multi-perspective approach to WWII history and remembrance.

With HistoryTreks, funded by the Erasmus+ programme, students of different countries get together to reflect on the history and impact of WWII on their regions with formal and non-formal learning methods, including hiking the Liberation Route Europe and visiting remembrance sites along the way.

In turn, with EASTory through their Eyes and Persecution through their Eyes, young Europeans are invited to learn about personal stories of people who experienced WWII and its consequences across Europe, reflecting on the complexity of such shared history. The ‘through their Eyes’ series combines an online and travelling exhibition with youth events in partner locations and is funded by the Citizens, Equality, Rights and Values programme of the EU.



LRE Foundation

Active Cultures is a Los Angeles–based public arts organization dedicated to the intersectional space between art and foodways.

Active Cultures is a Los Angeles–based public arts organization dedicated to the artistic exploration of our global foodways—the attitudes, practices, and histories around what we consume. We believe that by nurturing vital collaborations between artists, food practitioners, and their communities, we can illuminate global foodways and feed experimental artistic practice simultaneously, to build stronger connections of empathy, curiosity, and care among us all. Throughout our programming, we offer platforms to broaden the cultural frameworks around food and foodways, while using food to gather people and make an accessible space for contemporary art and culture. Each of our program seasons begins with central collaborations with artists, and is enriched by a variety of activities, including performances, workshops, conversations, meals, and multifaceted projects.

Active Cultures

To engage children of all ages and abilities in learning through imaginative play and discovery

The Children's Museum of the Magic Valley (CMMV) is an emerging hands-on children's museum to be located in Twin Falls, Idaho. CMMV will focus exhibits, programming, and children's activities on the Magic Valley's 37,000 children ages birth through eleven years. The research and concept development behind CMMV has been ongoing since mid-2018 when it was founded as a 501(c)3 non-profit organization.

Our goal is to establish a permanent, state-of-the-art children's museum in Twin Falls. The Twin Falls Urban Renewal Agency (URA) entered into exclusive negotiations with CMMV for the purchase of a .50 acre lot in downtown Twin Falls on the corner of 3rd Street South and Idaho Street South. Downtown Twin Falls is the heart of our community, and CMMV is eager and committed to becoming a vital part of this historical area. Currently, we operate as a "Museum without Walls" with mobile exhibit events throughout the region. Contact us to learn more.

We are excited to see the magic within the Magic Valley unfold as we work together to create a beautiful museum for our children.

Children's Museum Of The Magic Valley, Inc

The Fondation Pro-mahJ contributes to the development of the collections of the Musée d'art et d'histoire du Judaisme in Paris.

The Fondation pour le musée d'art et d'histoire du Judaïsme (Pro mahJ), in Paris, was created in 2003 on the initiative of Claire Maratier, daughter of painter Michel Kikoïne (1892-1968), to promote the work of artists from the École de Paris and mobilize its resources in support of the mahJ. As an essential supporter of the enrichment of the mahJ's collections and the promotion of its heritage and activities, the foundation is committed to supporting contemporary artists whose work is rooted in the École de Paris and resonates with the mahJ's collections.
Your support will help preserve one of the finest collections of works of art and objects illustrating the heritage of Jewish culture in Europe and around the Mediterranean, from Antiquity to the present day, preserved and hosted by the musée d'art et d'histoire du Judaïsme (mahJ), as well as strengthening the museum's activities, particularly its educational initiatives. The mahJ is France's largest museum devoted to Jewish art and culture, and a place of reference for education, promoting cultural diversity and combating prejudice and discrimination, for people from all walks of life. 
The mahJ is also developing an active policy of research into Jewish history and archeologia, through conferences, symposia and meetings. It actively campaigns for better dissemination of Jewish history and heritage and for it to be taken into account in public policy.


Fondation Pro mahJ 

We preserve, develop, and promote the assets comprising the Domaine national de Chambord which is on Unesco's world heritage list.

Chambord has aroused admiration and fascination to the world for over 500 years. Placed on France’s first list of historical monuments in 1840, and a UNESCO World Heritage Site since 1981, it is one of the most breathtaking construction of the Renaissance. Far from being a residential palace or a hunting lodge, Chambord embodies the values of humanism, inventiveness and human genius.

Preserving this heritage means constantly questioning how it can be made accessible to the widest possible audience. With this objective in mind, each year new developments and innovative projects are presented to visitors, a rich program of events punctuates the life of the estate, and ecological actions are implemented. The estate is also developing a strategy to diversify its own resources, notably by reviving its vocation as a food-producing farm.

Chambord’s projects are structured around four development priorities: Chambord cultural and artistic, Chambord educational and social, Chambord sustainable and agricultural, and Chambord innovative. To support us in this approach, we are looking for partners who share our values and wish to promote them.


American Friends of Chambord

Independent non-profit organization dedicated to promoting Ecuadorian art and creating new opportunities for Ecuadorian artists.

EACHEVE was founded in 2014 to address concerns about the fragility of artistic memory within Ecuador, with the original goal being the production of editorial publications with archival purpose – to record the thoughts, activities, and movement of contemporary artists in Ecuador. EACHEVE has since published a series of publications, including several important monographs, catalogues and books including Eduardo Solá Franco’s Illustrated Diaries, an artist’s book by Roberto Noboa, 101 Contemporary Art Ecuador Vol. I and the recent publication of the artist ‘Miguel Varea’

Further motivated to stimulate the growth and development of Ecuador’s art world, EACHEVE has expanded its mission to organize several exhibitions, such as ‘ Algo Después’ by Ilich Castillo (Bogotá, 2016), ‘ Objetos de duda y de certeza’ by Manuela Ribadeneira (Quito, 2019), ‘Wonder Boy Complex’ by Xavier Coronel (Quito, 2021), ‘Mantengo la Urgencia de Reconciliar’ by Sofía Salazar Rosales (Guayaquil, 2022), and ‘La visión del monte’ by Simon Speiser (Guayaquil, 2023).

In 2021, EACHEVE becomes a non-profit foundation and entered partnerships with other leading arts organizations around the world, including Delfina Foundation (London), Gasworks (London), Tropical Papers (France) and DEO Projects (Greece) with the goal of promoting Ecuadorian art internationally and nourishing the current mission of the foundation: to create new opportunities for Ecuadorian artists.

Fundacion EACHEVE

Support the preservation of the world’s most endangered modern houses of unique architectural importance.

Iconic Houses provides a worldwide platform for architecturally significant modern houses and artists' homes and studios from the 20th century that are open to the public, by sharing best practices about the conservation, policy, programming and management of house museums and significant private houses. Member sites include Antoni Gaudí's La Pedrera (Spain), Le Corbusier's Villa Savoye (France), and Frank Lloyd Wright's Fallingwater (USA), among almost 200 other masterpieces and hidden gems around the world. At this time over 50 of the world's most iconic modern houses, especially those from the second half of 20th century, are threatened due a lack of legal protection, deferred maintenance or other issues associated with development pressures. We need to act now, or risk losing them forever. What can be done to save them? Icons at Risk sets out to answer that question.  "Icons at Risk" is an international initiative by the Iconic Houses network to preserve the world's most endangered modern houses of unique architectural importance. We will achieve this by raising public awareness, advocacy, and supporting homeowners to take action themselves through a "Toolkit for Owners of Modern Homes".  We thank you in advance for your support! 

Iconic Houses Network

FAB provides funding, promotion, education and credibility to creators working at the intersection of blockchain and creativity.

Foundation For Art And Blockchain

Founded in 1925, Steep Rock Association is a nationally-accredited land trust focused on saving land in Washington, CT. 

Steep Rock Association is a nationally-accredited land trust whose mission is to conserve ecologically and historically significant landscapes and riparian corridors in and around Washington, CT and to enhance the community’s connection to nature through outreach, education, and passive recreation.



Steep Rock Association

Enhancing public understanding of 21st century design that makes positive impact on society and the environment.

The Museum of 21st Century Design (M21D) takes a new approach to serving the public. Your support allows us to advance our mission to enhance public appreciation for design that makes positive impact on communities and the environment. 

The museum operates in multiple places, avoiding the costs and burdens of a permanent gallery space. M21D collaborates with host institutions to create engaging programs and in-person exhibitions. We also operate a fellowship program, to coach recent graduates to become curators and authors, while diversifying the cultural sector. 

Your tax-deductible donation is critically important to help fund our activities, which cost much less than a traditional, museum organization. You are welcome to visit our website and reach out to us with any questions about what we do and how you can get involved. Please visit us online at:  https://www.m21d.org/

Museum of 21st Century Design (M21D) 

Using art as a vehicle for social change, while connecting the shared history, values and futures of Africa and its Diaspora!

The experiences and cultural contributions of people of African descent have been marginalized throughout history and MoCADA’s mission is to undertake the responsibility of rewriting that history in order to give a more accurate portrayal of the contributions of people of African descent to the artistic and global landscape.

The Museum of Contemporary African Diasporan Arts (MoCADA) uplifts the visual, literary, and performing arts as a conduit that connects the shared history, values, and futures of Africa and its diaspora, for the purpose of advancing dialogue on pressing social + political issues faced by these communities. We give platform within our safe spaces to artists whose work honor, celebrate, and expand this rich conversation while inviting our community in to explore, engage, and thrive within our collective evolution.

For 20 years, MoCADA has empowered vulnerable communities and instilled a sense of pride in visitors through representation and access to the arts including 100+ groundbreaking artists from 20+ countries (Terence Nance, Dread Scott, Wangechi Mutu, etc) whose voices have gone largely ignored; to Black, LatinX, Indigenous, especially, low income, children, women, immigrants, elders, LGBTQ+, people living with disabilities etc from the communities of Central Brooklyn and beyond.

Museum of Contemporary African Diasporan Art (MoCADA)

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